Volume 20 , Issue 1 , January 2019 , Pages 111-144
1 بەشی کوردی، کۆلێژی زمان، زانکۆی سلێمانی، هەرێمی کوردستان، عێراق
This research deals with “Groans poem”, especially self-intertextuality in his poems, which they
depict his cultural and intellectual thoughts and they are nets from a lot of codes. This is direct
reason for other texts associations by the mean of arouse previous poems either directly or
indirectly in a new way. They are reproducing the former poems in a new artistic function not as
repetition.
The thesis consists of five chapters:
Chapter one: It specified for intertextualitys history and its types which depends on kristivas
method.Chapter two: it dealt with similarity some titles of some poems. It entitled:”self –intertextuality
among titles .”
Chapter three: It is entitled” Self-intertextuality by Repetitions of the same: Words, Phrases, and
Sentences”. It is divided into three topics. The first topic entitled” Self-intertextuality by
Repetitions of the same words”. The second topic entitled” Self-intertextuality by Repetitions of the
same phrases”. The third topic entitled “Self-intertextuality by Repetitions of the same sentences.”
Chapter four: this chapter deals with those poems that they have the same ideas or themes which
are entitled:” Self-intertextuality by Repetitions of the same theme.”
Chapter five: this chapter deals with those poems that they have the same images which are
entitled:” Self-intertextuality by Repetitions of the same image”. At the end in conclusion, we show
all the main conclusions which are resulted from the research.