This is what I used to know about it.

Volume 20 , Issue 2 , August 2019 , Pages 163-176

Authors

شيروان علی حەمەخان 1

1 بەشی هونەری پلاستیک، کۆلێژی هونەرە جوانەکان، زانکۆی سلێمانی، هەرێمی کوردستان، عێراق

DOI logo 10.17656/jzsb.10886

Keywords

Abstract

In this paper we try to discuss the relationship between ethnological science and the art of painting in the West
Explain how this relationship has a direct impact on the process of self-renewal and criticism of the whole
The process of painting dates back to the beginnings of modern classical art to modern art
there has been.
The beginnings of the ethnological influences on the art of painting were initially the introduction of foreign cultures
The West was through the scientific expeditions of artists in the early nineteenth century with ethnologists
Waltoani Assoya and Aqariaoa South America. The introduction of these different cultures is the new “Noao”.
He introduced modern classical art, especially the Surrealists. But since the 1960s, the effect has been the same
It was not the introduction of the name that became part of the art of painting, but the introduction of foreign cultures
The West as a different culture with a different perspective should become part of the art of painting. That's what he did
After the globalization process, other cultures should participate in the process of art production and not be marginalized.

References

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