Hemn, Goran, Qane, Hardi in Sharif Hussein's Blue Bracelet

Volume 20 , Issue 2 , August 2019 , Pages 11-36

Authors

Saman Jalal Aziz 1

1 قسم اللغة الكردية، كلية اللغات، جامعة السليمانية، إقليم كردستان، العراق

DOI logo 10.17656/jzsb.10880

Keywords

Abstract

This theses deals with: (Shereef Hsen's collection “Blue Necklace”(mlwankey sheen)), especially
stylist intertextuality in it, which they depict his cultural and intellectual thoughts and they are nets
from a lot of elements. This is direct reason for other texts associations by the mean of arouse
previous poems of: (Hemn, Goran, Qanie, Hardi), either directly or indirectly in a new way. He tries
to reproducing the former poems in a new artistic functional style.
Alot of scholars and critics studied the concept of intertextuality in general or in a specific unit of
it, as: Mikhail Bakhtine (dialogisme), Barthe (geology of text), Kristiva, and Gerard Gennete
(architexte).
In this research the method of intertextuality is applied -specifically stylist intertextuality and
gets benefit from stylistc method also. The title of it, is called:”Stylist intertextuality -the poetic
style, of: (Hemn, Goran, Qanie, Hardi) in Blue Necklace's collection of Shareef Hsen”.This is done
according to concept, and principles of intertextuality.
This thesis consists of: introduction, two applied chapters:Chapter one: It specified for Short and brief introduction about stylist phenomenons in poetry
which is mentioned by scholars and critics.
Chapter two: it is an applicational chapter and entitled:”poetic stylist of Qanie, Hemn, in Blue
Necklace's collection”.
Chapter three: it is an applicational chapter also, and entitled:”poetic stylist of Hardi and Goran
in Blue Necklace's collection”.
At the end of the thesis, the most important conclusions resulted from this study are presented,
and is followed by the list of references also.

References

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